{"id":6628,"date":"2025-11-26T17:29:56","date_gmt":"2025-11-26T14:29:56","guid":{"rendered":"https:\/\/arttmodernmiami.com\/?p=6628"},"modified":"2025-11-26T17:44:21","modified_gmt":"2025-11-26T14:44:21","slug":"chapter-1-before-the-lights-came-on","status":"publish","type":"post","link":"https:\/\/arttmodernmiami.com\/tr\/6628\/chapter-1-before-the-lights-came-on\/","title":{"rendered":"B\u00d6L\u00dcM 1 \u2013 I\u015eIKLAR YANMADAN \u00d6NCE"},"content":{"rendered":"
\n
\"\"<\/figure><\/div>\n\n\n

\u0130stanbul\u2019un Gece Hayat\u0131n\u0131n \u201cAlt\u0131n \u00c7a\u011f\u0131\u201d: 90\u2019lar!<\/strong><\/p>\n\n\n\n

D\u00fcnyan\u0131n son y\u0131llarda ya\u015fad\u0131\u011f\u0131 h\u0131zl\u0131 d\u00f6n\u00fc\u015f\u00fcm, bizim ku\u015fa\u011f\u0131n\u2014X ku\u015fa\u011f\u0131n\u0131n\u2014ne kadar \u00f6zel bir d\u00f6nemin i\u00e7inden ge\u00e7ti\u011fini daha g\u00f6r\u00fcn\u00fcr k\u0131ld\u0131. Asl\u0131nda 90\u2019lardan 2000\u2019lere, her \u015feyin ters gitmeye ba\u015flamadan \u00f6nceki son 10 y\u0131l diyebiliriz.<\/p>\n\n\n\n

\u015eu s\u0131ralar bizim jenerasyon la ne zaman ileti\u015fime ge\u00e7sek ya da bir araya gelsek, sohbet hep ayn\u0131 yerden a\u00e7\u0131l\u0131r:<\/p>\n\n\n\n

\u201cYa\u2026 Biz o d\u00f6nem ne ya\u015fad\u0131k?<\/p>\n\n\n\n

Kimlerle neler ya\u015fad\u0131k? Hat\u0131rl\u0131yor musun o geceleri?<\/p>\n\n\n\n

Ya sabah\u0131n ilk \u0131\u015f\u0131klar\u0131nda kul\u00fcplerden \u00e7\u0131k\u0131p otob\u00fcs dura\u011f\u0131nda i\u015fe gidenlerin bize uzayl\u0131 gibi bakt\u0131\u011f\u0131 sabahlar\u0131?\u201d<\/p>\n\n\n\n

K\u0131zlar\u0131n rimelleri akm\u0131\u015f, sa\u00e7 ba\u015f da\u011f\u0131lm\u0131\u015f, k\u0131yafetler gecenin h\u0131z\u0131yla lekelenmi\u015f olurdu. Ak\u015famdan kalman\u0131n a\u011f\u0131rl\u0131\u011f\u0131yla, ama d\u00fcnyan\u0131n en g\u00fczel yorgunlu\u011fuyla, kafam\u0131z \u00f6ne e\u011fik eve y\u00fcr\u00fcrd\u00fck.<\/p>\n\n\n\n

Kim bilebilirdi ki bir g\u00fcn t\u00fcm bunlar\u0131n bir d\u00f6nemin tarihine d\u00f6n\u00fc\u015fece\u011fini?<\/p>\n\n\n\n

Ya da bizim \u015fehir efsanelerinin kahramanlar\u0131 olarak an\u0131laca\u011f\u0131m\u0131z\u0131?<\/p>\n\n\n\n

Art Modern Miami<\/strong>\u2019<\/strong>nin hassas ruhlar\u0131<\/strong>!<\/strong><\/strong><\/p>\n\n\n\n

Size bundan 30\u201335 y\u0131l \u00f6nce T\u00fcrkiye\u2019de ya\u015fanan \u00f6zg\u00fcr, s\u0131rad\u0131\u015f\u0131, k\u0131skan\u0131las\u0131; bizim jenerasyonun \u201cAlt\u0131n \u00c7a\u011f\u201d olarak adland\u0131rd\u0131\u011f\u0131 \u0130stanbul gece hayat\u0131n\u0131 anlatabilirim.<\/p>\n\n\n\n

Hem anlatabilirim hem ispat edebilirim.<\/p>\n\n\n\n

\u00c7\u00fcnk\u00fc ya\u015fad\u0131m.<\/p>\n\n\n\n

G\u00f6rd\u00fcm.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Ve benimle birlikte buna tan\u0131kl\u0131k edenlerin b\u00fcy\u00fck bir haf\u0131zas\u0131 var.<\/p>\n\n\n\n

O garip, i\u00e7 g\u0131c\u0131klayan tela\u015f daha hava kararmadan ba\u015flard\u0131. G\u00fcne\u015f ufka do\u011fru inerken 90\u2019lar\u0131n \u0130stanbul\u2019u gecenin nefesini \u00e7ok erken hissederdi; sanki yakla\u015fan karanl\u0131k \u015fehre kendini \u00f6nceden f\u0131s\u0131ldamak isterdi. O anlarda eskiyle yeninin, Do\u011fu\u2019yla Bat\u0131\u2019n\u0131n, yasaklarla \u00f6zg\u00fcrl\u00fc\u011f\u00fcn ba\u015f d\u00f6nd\u00fcr\u00fcc\u00fc cesareti birbirine s\u00fcrt\u00fcn\u00fcr; g\u00f6r\u00fcnmez bir k\u0131v\u0131lc\u0131m dola\u015f\u0131rd\u0131 sokak aralar\u0131nda.<\/p>\n\n\n\n

K\u00fcreselle\u015fme \u0130stanbul\u2019un vitrinini parlatsa da arka sokaklarda h\u00e2l\u00e2 o yerel nefes, o mahallelerin kendine has samimiyeti hissedilirdi. \u0130stanbul b\u00fcy\u00fck bir mozaikti; par\u00e7as\u0131 ne kadar farkl\u0131ysa b\u00fct\u00fcn o kadar b\u00fcy\u00fcleyiciydi. Ve bu mozai\u011fin i\u00e7inde gece gelince her \u015fey\u2014ger\u00e7ekten her \u015fey\u2014bir anl\u0131\u011f\u0131na m\u00fcmk\u00fcn oluyordu.<\/p>\n\n\n\n

Biz ise tam o ihtimallerin en parlak oldu\u011fu yerdeydik:<\/p>\n\n\n\n

Gecelerin merkezinde, \u015fehrin g\u00f6r\u00fcnmez nabz\u0131n\u0131 avu\u00e7lar\u0131m\u0131zda tutan gen\u00e7, tutkulu ve \u00f6zg\u00fcr ruhlar olarak.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Diskotekten kul\u00fcp k\u00fclt\u00fcr\u00fcne ge\u00e7i\u015f: Yeni bir \u00e7a\u011f\u0131n kap\u0131lar\u0131<\/strong><\/strong><\/p>\n\n\n\n

O d\u00f6nem gece k\u00fclt\u00fcr\u00fc tam anlam\u0131yla yeniden do\u011fuyordu. Elektronik m\u00fczik, house ve dans ritimleri insanlarla yeni tan\u0131\u015f\u0131yordu.<\/p>\n\n\n\n

Barlar, restoranlar\u0131n bir k\u00f6\u015fesinde masa s\u0131ras\u0131 bekledi\u011fin yerler olmaktan \u00e7\u0131k\u0131p ger\u00e7ek bir \u201cmek\u00e2n kimli\u011fi\u201d kazanmaya ba\u015flam\u0131\u015ft\u0131. Adeta ba\u011f\u0131ms\u0131zl\u0131klar\u0131n\u0131 ilan etmi\u015flerdi.<\/p>\n\n\n\n

Diskotekler, m\u00fczikhol, gazino, pavyon\u2026 Eski \u00e7a\u011f\u0131n kal\u0131nt\u0131lar\u0131 gibiydi art\u0131k; yeni neslin enerjisine yetmiyordu.
<\/p>\n\n\n\n

\"\"
Kamil \u00c7AKIR<\/figcaption><\/figure>\n\n\n\n

90\u2019larda bir mek\u00e2na girince zaman kavram\u0131 tamamen silinirdi. Sabaha kadar kimsenin kimseyi yad\u0131rgamad\u0131\u011f\u0131, s\u0131n\u0131rlar\u0131n eridi\u011fi bir d\u00fcnya kurulurdu.<\/p>\n\n\n\n

G\u00fcn\u00fcm\u00fczdeki gibi herkesin kul\u00fcp k\u00fclt\u00fcr\u00fc yoktu ve bug\u00fcnk\u00fc gibi yo\u011fun bir gece trafi\u011fi ya\u015fanmazd\u0131. Kap\u0131 k\u00fclt\u00fcr\u00fc yaln\u0131zca bir g\u00fcvenlik meselesi de\u011fil; estetik ve \u00f6zg\u00fcrl\u00fck anlay\u0131\u015f\u0131n\u0131n bir filtresiydi.<\/p>\n\n\n\n

Sosyete ile halk\u0131n, modellerle \u00f6\u011frencilerin, DJ\u2019lerle bankerlerin ayn\u0131 pistte terledi\u011fi, s\u0131n\u0131f fark\u0131n\u0131n eridi\u011fi benzersiz bir d\u00f6nemdi. G\u00fcnd\u00fcz i\u015f adam\u0131 olan biri, gece pistin ortas\u0131nda bamba\u015fka bir karaktere b\u00fcr\u00fcn\u00fcrd\u00fc.<\/p>\n\n\n\n

Dress code bir zorunluluk de\u011fil; bir duru\u015ftu.<\/strong><\/strong><\/p>\n\n\n\n

Her mek\u00e2n\u0131n kendine has bir g\u00f6r\u00fcn\u00fcm beklentisi vard\u0131.<\/p>\n\n\n\n

Ama Ceylan \u00c7apl\u0131n\u0131n 14\u201319\u201320 \u00fc\u00e7l\u00fcs\u00fcnde durum tamamen farkl\u0131yd\u0131:<\/p>\n\n\n\n

Tak\u0131m elbise yasak.<\/p>\n\n\n\n

Kravat yasak.<\/p>\n\n\n\n

Kuma\u015f pantolon yasak.<\/p>\n\n\n\n

Beyaz yakal\u0131lar\u0131n pabucu dama at\u0131lm\u0131\u015ft\u0131.<\/p>\n\n\n\n

Bu radikal duru\u015f, \u0130stanbul gece hayat\u0131nda devrim niteli\u011findeydi. Kap\u0131lar \u00f6n\u00fcnde metrelerce kuyruk olu\u015fur, bas\u0131n i\u00e7eri al\u0131nmazd\u0131. Magazin fla\u015flar\u0131 o kap\u0131larda i\u015fe yaramazd\u0131. Oysa di\u011fer mek\u00e2nlar bas\u0131n\u0131n onlar i\u00e7in g\u00f6r\u00fcn\u00fcrl\u00fck yaratmas\u0131ndan memnundu.<\/p>\n\n\n\n

\u015eehrin en b\u00fcy\u00fck hik\u00e2yesiydi bu; kulaktan kula\u011fa yay\u0131lan bir efsane.
<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Biz o y\u0131llarda hem gen\u00e7 hem de se\u00e7ilmi\u015f gibiydik<\/strong><\/strong><\/p>\n\n\n\n

Bizim \u015fans\u0131m\u0131z hem gen\u00e7 olmakt\u0131 hem de \u015fans\u0131m\u0131z\u0131 kendimizin yaratmas\u0131yd\u0131.<\/p>\n\n\n\n

Yak\u0131\u015f\u0131kl\u0131, g\u00fczel, stil sahibi, iyi e\u011fitimliydik; sosyal \u00e7evremiz de \u00f6yleydi.<\/p>\n\n\n\n

Ben o y\u0131llarda G\u00fczel Sanatlar \u00f6\u011frencisiydim. Gecelerimiz bir performans kadar sahici, bir ka\u00e7\u0131\u015f kadar tutkuluydu.<\/p>\n\n\n\n

G\u00fcnd\u00fcz akademideydik: At\u00f6lyede ko\u015fu\u015fturur, proje haz\u0131rlar, hafta i\u00e7i ders yeti\u015ftirirdik. Hafta sonu ise bir anda kendimizi sabaha kadar dans ederken bulurduk.<\/p>\n\n\n\n

Dans pistinde yan\u0131mdaki ki\u015fi bir g\u00fcn podyumda y\u00fcr\u00fcyen bir model, ertesi g\u00fcn sahnede performans sergileyen bir sanat\u00e7\u0131 olabiliyordu.<\/p>\n\n\n\n

Sanat, m\u00fczik, gece ve moda g\u00f6r\u00fcnmez ba\u011flarla birbirine ba\u011fl\u0131yd\u0131.<\/p>\n\n\n\n

O y\u0131llarda kimse \u201cgeceye \u00e7\u0131km\u0131yordu\u201d; herkes kendi sahnesine \u00e7\u0131k\u0131yordu.<\/p>\n\n\n\n

90<\/strong>\u2019<\/strong>lar\u0131n moda patlamas\u0131<\/strong><\/strong><\/p>\n\n\n\n

90\u2019lar, modan\u0131n y\u00fckseli\u015f y\u0131llar\u0131yd\u0131.<\/p>\n\n\n\n

S\u00fcper modeller \u00e7a\u011f\u0131n\u0131n do\u011fu\u015fu: Cindy, Naomi, Linda, Christy\u2026<\/p>\n\n\n\n

Jean Paul Gaultier, Thierry Mugler, R\u0131fat \u00d6zbek, Marc Jacobs, Vivienne Westwood\u2026<\/p>\n\n\n\n

Podyumda g\u00f6rd\u00fcklerimiz gecelere haz\u0131rlan\u0131rken bize ilham kayna\u011f\u0131 olurdu.<\/p>\n\n\n\n

Kendi bedenimizde bu g\u00f6rsel dili yeniden yarat\u0131rd\u0131k.<\/p>\n\n\n\n

Korseler, fileler, jean\u2019ler, deri ceketler, metal aksesuarlar, vatkalar, avangard detaylar\u2026<\/p>\n\n\n\n

Listemizde biraz Madonna\u2019n\u0131n Vogue\u2019u, biraz George Michael, biraz Michael Jackson, biraz R.E.M vard\u0131.<\/p>\n\n\n\n

T\u00fcrk\u00e7e pop kendi imparatorlu\u011funu kuruyordu:<\/p>\n\n\n\n

Sezen, Tarkan, Kenan, Ajda\u2026<\/p>\n\n\n\n

Her par\u00e7a bir kimlik bildirgesiydi.<\/p>\n\n\n\n

Bir \u015fehri yeniden kuruyorduk:<\/p>\n\n\n\n

M\u00fczikte k\u0131yafette dansta.
<\/p>\n\n\n\n

\"\"
\u0130STANBUL<\/figcaption><\/figure>\n\n\n\n

Rotalar, rit\u00fceller, kap\u0131lar\u2026 <\/strong>Her <\/strong>\u015feyin bir dili vard\u0131<\/strong><\/strong><\/p>\n\n\n\n

Hafta sonu planlar\u0131, ge\u00e7en haftan\u0131n bitti\u011fi anda ba\u015flard\u0131.<\/p>\n\n\n\n

Cuma ve cumartesi rotalar\u0131 iki ayr\u0131 evrendi.<\/p>\n\n\n\n

Taksim\u2013Beyo\u011flu ba\u015fka bir ruha sahipti; gecenin sonunda \u00e7orbac\u0131, b\u00fcfe veya bir arkada\u015f evi olurdu final noktas\u0131.<\/p>\n\n\n\n

Ortak\u00f6y\u2013Kuru\u00e7e\u015fme\u2013Bebek hatt\u0131 ise daha \u015f\u0131k, daha bo\u011faz havas\u0131 ta\u015f\u0131yan, daha l\u00fcks bir ak\u0131\u015ft\u0131. Son durak \u00e7o\u011fu zaman \u015eayan \u00c7orbac\u0131s\u0131 olurdu.<\/p>\n\n\n\n

\u0130stanbul<\/strong>\u2019<\/strong>un Alt<\/strong>\u0131n \u00c7a\u011f\u0131\u2019n\u0131n mek\u00e2nlar\u0131: Her biri bir karakter, her biri bir hik\u00e2ye<\/strong><\/strong><\/p>\n\n\n\n

\u2013 14\u201319\u201320 \/ 2019 (Ceylan \u00c7apl\u0131): \u015eehrin t\u00fcm kurallar\u0131n\u0131 yeniden yazan kul\u00fcpler<\/p>\n\n\n\n

\u2013 Ye\u015fil Kabare (Ali Poyrazo\u011flu): Seyfi Dursuno\u011flu, U\u011fur Y\u00fccel, Demet Akba\u011f\u2026 Kabare ruhunun ilk ad\u0131mlar\u0131<\/p>\n\n\n\n

\u2013 Roxy: Alternatif gen\u00e7li\u011fin mabedi<\/p>\n\n\n\n

\u2013 Switch: Karanl\u0131k sokakta bohem bir nefes<\/p>\n\n\n\n

\u2013 Kemanc\u0131: Rock damar\u0131n\u0131n kalbi<\/p>\n\n\n\n

\u2013 Hayal Kahvesi: Bir ku\u015fa\u011f\u0131n duygusal belle\u011fi<\/p>\n\n\n\n

\u2013 \u00c7i\u00e7ek Bar: Yazar, oyuncu, gazeteci, solcu tayfas\u0131n\u0131n kesi\u015fim alan\u0131<\/p>\n\n\n\n

\u2013 Taksim Night Park: Nigel Coates tasar\u0131m\u0131yla karizmatik bir kul\u00fcp<\/p>\n\n\n\n

\u2013 Pacha: Bo\u011faz hatt\u0131nda \u015f\u0131kl\u0131\u011f\u0131n zirvesi<\/p>\n\n\n\n

Kuru\u00e7e\u015fme She Bar, Garaj Gece Kul\u00fcb\u00fc, Cartoon Bar, Oba Bar, Memo\u2019s, Zihni Bar, Andon, Papyon\u2026<\/p>\n\n\n\n

Hepsi bu k\u00fclt\u00fcr\u00fcn damarlar\u0131na kan pompalayan ayr\u0131 birer kalpti.<\/p>\n\n\n\n

T\u00fcm bu mek\u00e2nlar tek bir \u015feye hizmet ediyordu:<\/p>\n\n\n\n

Deneyim aray\u0131\u015f\u0131na.<\/p>\n\n\n\n

Asl\u0131nda hepimiz k\u00fc\u00e7\u00fck bir Studio 54 evreni yaratm\u0131\u015ft\u0131k<\/strong><\/strong><\/p>\n\n\n\n

\"\"
Kamil \u00c7AKIR<\/figcaption><\/figure>\n\n\n\n

Kap\u0131 k\u00fclt\u00fcr\u00fc bir se\u00e7icilikten fazlas\u0131yd\u0131;<\/p>\n\n\n\n

Bir sanatsal s\u00fczge\u00e7ti.<\/p>\n\n\n\n

Paradan \u00f6nce karizma stat\u00fcden \u00f6nce duru\u015f vard\u0131.<\/p>\n\n\n\n

Biraz Andy Warhol, biraz Grace Jones, biraz Bianca Jagger\u2026<\/p>\n\n\n\n

Biz, kendi k\u00fc\u00e7\u00fck evreninde y\u0131ld\u0131z olmay\u0131 bilen ama bunu stil sahibi bir \u015fekilde yapan bir ku\u015fakt\u0131k.<\/p>\n\n\n\n

Ve \u0130stanbul, bu y\u0131ld\u0131zlar\u0131n parlad\u0131\u011f\u0131 b\u00fcy\u00fck bir sahneydi.<\/p>\n\n\n\n

Bu sadece ba\u015f<\/strong>lang<\/strong>\u0131\u00e7t\u0131\u2026<\/strong><\/strong><\/p>\n\n\n\n

90\u2019lardan 2000\u2019lere \u0130stanbul\u2019un gece hayat\u0131 bir d\u00f6n\u00fc\u015f\u00fcm hik\u00e2yesiydi.<\/p>\n\n\n\n

Ama bu hik\u00e2yenin en \u00e7arp\u0131c\u0131 b\u00f6l\u00fcm\u00fc hen\u00fcz ba\u015flamad\u0131.<\/p>\n\n\n\n

\u00c7\u00fcnk\u00fc o y\u0131llar\u0131n kalbini as\u0131l h\u0131zland\u0131ran, t\u00fcm Avrupa\u2019n\u0131n konu\u015ftu\u011fu,<\/p>\n\n\n\n

Kulesindeki yabanc\u0131 dans\u00e7\u0131larla, araba mezarl\u0131\u011f\u0131 konseptiyle haf\u0131zalara kaz\u0131nan bir mek\u00e2n vard\u0131:<\/p>\n\n\n\n

Maslak 2019.<\/p>\n\n\n\n

Ve 2019\u2019un do\u011fu\u015funu, sahnesini, gecelerini, ya\u015fananlar\u0131\u2026<\/p>\n\n\n\n

Bir sonraki b\u00f6l\u00fcmde, \u0131\u015f\u0131klar tamamen yand\u0131\u011f\u0131nda anlataca\u011f\u0131m.<\/p>\n\n\n\n

Sanat\u00e7\u0131\/Tasar\u0131mc\u0131 Kamil \u00c7ak\u0131r<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130stanbul\u2019un Gece Hayat\u0131n\u0131n \u201cAlt\u0131n \u00c7a\u011f\u0131\u201d: 90\u2019lar! D\u00fcnyan\u0131n son y\u0131llarda ya\u015fad\u0131\u011f\u0131 h\u0131zl\u0131 d\u00f6n\u00fc\u015f\u00fcm, bizim ku\u015fa\u011f\u0131n\u2014X ku\u015fa\u011f\u0131n\u0131n\u2014ne kadar \u00f6zel bir d\u00f6nemin i\u00e7inden ge\u00e7ti\u011fini daha g\u00f6r\u00fcn\u00fcr k\u0131ld\u0131. Asl\u0131nda 90\u2019lardan 2000\u2019lere, her \u015feyin ters gitmeye ba\u015flamadan \u00f6nceki son 10 y\u0131l diyebiliriz. \u015eu s\u0131ralar bizim jenerasyon la ne zaman ileti\u015fime ge\u00e7sek ya da bir araya gelsek, sohbet hep ayn\u0131 yerden […]<\/p>\n","protected":false},"author":4,"featured_media":6638,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[68],"tags":[99,101,123,75,98],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"tr","enabled_languages":["en","tr"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"tr":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/posts\/6628"}],"collection":[{"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/comments?post=6628"}],"version-history":[{"count":4,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/posts\/6628\/revisions"}],"predecessor-version":[{"id":6652,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/posts\/6628\/revisions\/6652"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/media\/6638"}],"wp:attachment":[{"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/media?parent=6628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/categories?post=6628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/tags?post=6628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}