{"id":3317,"date":"2024-01-24T08:53:54","date_gmt":"2024-01-24T05:53:54","guid":{"rendered":"https:\/\/arttmodernmiami.com\/?p=3317"},"modified":"2024-01-24T08:56:24","modified_gmt":"2024-01-24T05:56:24","slug":"art-artist-new-world-order-and-my-wonderful-chaos","status":"publish","type":"post","link":"https:\/\/arttmodernmiami.com\/tr\/3317\/art-artist-new-world-order-and-my-wonderful-chaos\/","title":{"rendered":"Sanat, Sanat\u00e7\u0131, Yenid\u00fcnya D\u00fczeni ve Benim Harika Kaos\u2019um!"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

Hey, herkese merhaba\u2026<\/p>\n\n\n\n

Ge\u00e7en seneden beri g\u00f6r\u00fc\u015femedik J Herkes nas\u0131l acaba?<\/p>\n\n\n\n

Adettendir; yeni y\u0131lda t\u00fcm insanl\u0131\u011fa; \u00f6nce sa\u011fl\u0131k, sonra mutluluk, beraberinde huzur ve daimi bar\u0131\u015f diliyorum.<\/p>\n\n\n\n

Yeni y\u0131la ad\u0131m att\u0131\u011f\u0131m\u0131z \u015fu g\u00fcnlerde bu defa size; sanat, sanat\u00e7\u0131, yenid\u00fcnya d\u00fczeni ve kaostan bahsedece\u011fim. Bunu yaparken de konular\u0131n \u00fczerinden k\u00fc\u00e7\u00fck n\u00fcanslarla ge\u00e7ip, \u00e7ok kafa \u00fct\u00fclemeden yaz\u0131mdan zevk alman\u0131z\u0131 hedefliyor olaca\u011f\u0131m\u2026<\/p>\n\n\n\n

\u00dcnl\u00fc Alman filozof, filolog, \u015fair ve besteci olan Friedrich Nietzsche, \u201cGer\u00e7ekler y\u00fcz\u00fcnden, \u00f6lmemizi \u00f6nleyecek bir \u015fey varsa o da sanatt\u0131r\u201d demi\u015f.<\/p>\n\n\n\n

Ger\u00e7ekten de sanat tedavi eder, iyile\u015ftirir, onar\u0131r ve g\u00fczelle\u015ftirir. Kendisini s\u00fcrekli geli\u015ftirip yenileyerek i\u015flevini yerine getirirken insan ve ya\u015fam unsurlar\u0131 ile hareket eder. S\u00fcrekli olarak aray\u0131\u015f\u0131, sorgulamay\u0131, direnmeyi ve de\u011fi\u015fimi aktif halde tutar. Co\u015fku, tutku ve bilin\u00e7le i\u00e7inde bulundu\u011fu \u00e7a\u011fa taraf ve tan\u0131k olur. \u00c7o\u011fu zaman da ayk\u0131r\u0131 ve d\u00fc\u015f\u00fcnmeden hareket eden bir yap\u0131s\u0131 vard\u0131r. Ve bu \u00f6zelli\u011finden dolay\u0131 da var olan d\u00fczenin ger\u00e7eklerini baz alarak, s\u00f6ylemek istediklerini farkl\u0131 yollardan s\u00f6yler. Ger\u00e7ekler y\u00fcz\u00fcnden \u00f6lmemek i\u00e7in elimizde sanat var.<\/p>\n\n\n\n

Picasso ise sanat\u0131 farkl\u0131 bir \u015fekilde tan\u0131mlar. Picasso\u2019ya g\u00f6re sanat bizim ger\u00e7e\u011fi kavramam\u0131z\u0131 sa\u011flayan yalanlardan ibarettir. Ona g\u00f6re \u201cHepimiz sanat\u0131n ger\u00e7ek olmad\u0131\u011f\u0131n\u0131 biliriz. Sanat bizim ger\u00e7e\u011fi kavramam\u0131z\u0131 sa\u011flayan bir yaland\u0131r.\u201d<\/p>\n\n\n\n

Ge\u00e7mi\u015ften bug\u00fcne tarih i\u00e7inde t\u00fcm \u00f6\u011fretileri d\u00fc\u015f\u00fcn\u00fcnce insan ya\u015fam\u0131n\u0131n birikimini gelece\u011fe ta\u015f\u0131yan sanat\u0131n bir duru\u015fu oldu\u011funu g\u00f6r\u00fcr\u00fcz. G\u00fcn\u00fcm\u00fcz kapitalist s\u00f6m\u00fcr\u00fc d\u00fczeninde kendine \u00f6zg\u00fc de\u011ferleriyle iktidar ve sermaye kar\u015f\u0131s\u0131nda dik durmaya \u00e7al\u0131\u015fan sanat, i\u00e7inde bulundu\u011fu d\u00fczenin \u00e7ark\u0131na kendisini kapt\u0131rmamaya, teslim etmemeye gayret etmektedir. \u00c7\u00fcnk\u00fc sanat toplumun omurgas\u0131d\u0131r.<\/p>\n\n\n\n

Di\u011fer taraftan sanat ile sanat\u00e7\u0131 ayr\u0131 d\u00fc\u015f\u00fcn\u00fclemez. Bir b\u00fct\u00fcnd\u00fcr. Sanat\u00e7\u0131lar sanat yapan yarat\u0131c\u0131 \u00fcreticilerdir. Sanat\u00e7\u0131 ya\u015fad\u0131\u011f\u0131 \u00e7a\u011f\u0131n ruhunun kavrat\u0131lmas\u0131 ve yans\u0131t\u0131lmas\u0131 bak\u0131m\u0131ndan ge\u00e7mi\u015fle gelecek aras\u0131nda bir k\u00f6pr\u00fc kurulmas\u0131na arac\u0131 olur.<\/p>\n\n\n\n

Maalesef k\u00fcreselle\u015fme ile sanat – sanat\u00e7\u0131, kapitalist sistemde ekonomik bir unsur olarak g\u00f6r\u00fclmeye ba\u015flanm\u0131\u015ft\u0131r. Kendilerine k\u00fcresel politikalar\u0131n \u00f6rtbas edilmesi, kitlelerin y\u00f6nlendirilmesi, iktidarlar\u0131n s\u00fcrekliliklerinin sa\u011flanmas\u0131 noktas\u0131nda bir tak\u0131m g\u00f6revler y\u00fcklenmi\u015ftir. K\u00fcresellerin yaratt\u0131\u011f\u0131 emperyalist k\u00fclt\u00fcr hoyrat ve tan\u0131d\u0131k olmad\u0131\u011f\u0131m\u0131z duyarl\u0131l\u0131klar\u0131 ile sanat\u0131 sanat olmaktan \u00e7\u0131karm\u0131\u015ft\u0131r. Ger\u00e7ek i\u015flevinden uzakla\u015ft\u0131rarak kendi politik \u00e7\u0131karlar\u0131na hizmet eder duruma sokmu\u015ftur.<\/p>\n\n\n\n

Lakin g\u00fcn\u00fcm\u00fczde sanat\u00e7\u0131lar\u0131n, zenginlerin kap\u0131lar\u0131nda bekle\u015fen insanlar haline gelmesi anla\u015f\u0131lmas\u0131 zor, al\u0131\u015fmas\u0131, sindirilmesi daha zor bir ger\u00e7ekliktir!<\/p>\n\n\n\n

Dijitalin etkisinin hi\u00e7 olmad\u0131\u011f\u0131 kadar g\u00f6r\u00fcld\u00fc\u011f\u00fc bu devirde teknoloji ile birlikte zahmetsiz, insans\u0131z ve ya\u015fams\u0131z bir sanat i\u00e7in ileti\u015fim ara\u00e7lar\u0131n\u0131n g\u00fcc\u00fcn\u00fcn seferber edildi\u011fine \u015fahit oluyoruz. Zihnimizden ge\u00e7en d\u00fc\u015f\u00fcncelerin birbirini tetikleyerek akt\u0131\u011f\u0131n\u0131 varsayarsak, insan\u0131n varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrebilmesi art\u0131k kritik bir sona dayand\u0131 diyebiliriz. Dijital ara\u00e7larla, onlar\u0131 do\u011fal kabul edebilecek kadar gen\u00e7 ya\u015fta kar\u015f\u0131la\u015fan sanat\u00e7\u0131 bir nesil ile yol ald\u0131\u011f\u0131m\u0131z\u0131 da hesaba katarsak i\u015fimiz gayet zordur.<\/p>\n\n\n\n

Bakt\u0131\u011f\u0131n\u0131zda sanal d\u00fcnya ile ruhsuz bedenlerin gezindi\u011fi sanattan, adeta insan ve ya\u015fam unsurlar\u0131 \u00e7\u0131kart\u0131lmak istenmektedir. Yapay zek\u00e2 bunun son \u00f6rne\u011fidir. Hayat\u0131m\u0131z\u0131 kolayla\u015ft\u0131rmas\u0131 bir yana, yapay zek\u00e2 asl\u0131nda heyecan ve umut vermekle birlikte, var olan dengeleri de\u011fi\u015ftirmekte, insanlar\u0131n mesleki gelecekleri ile ilgili kayg\u0131lar\u0131n\u0131 da artt\u0131rmaktad\u0131r.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Di\u011fer taraftan da olas\u0131l\u0131klar\u0131n her zaman s\u0131n\u0131rlarda gezindi\u011fi \u015fu g\u00fcnlerde ya\u015fad\u0131\u011f\u0131m\u0131z zorluklar\u0131n f\u0131rsatlar yaratt\u0131\u011f\u0131n\u0131n ve yeni tan\u0131mlamalar\u0131n ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131n fark\u0131nday\u0131z. Kendimizi ortaya atarak de\u011fi\u015fimi kucakl\u0131yor ve bamba\u015fka bir d\u00fczene ait d\u00f6n\u00fc\u015f\u00fcm\u00fc kabul ediyoruz. Lakin \u015funu da d\u00fc\u015f\u00fcnmeden edemiyoruz: Hey! Yoksa bu bir kaos mu? \u0130nsan hayat\u0131n\u0131 s\u00fcrd\u00fcrebilmek i\u00e7in ka\u00e7\u0131n\u0131lmaz olarak kurdu\u011fu d\u00fczenin geldi\u011fi nokta kaos ise, bu noktada tekrar yeni bir d\u00fczene ihtiyac\u0131m\u0131z oldu\u011funu s\u00f6yleyebiliriz. Biliyoruz ki kaos teorisi, evrendeki d\u00fczensizli\u011fin bile asl\u0131nda bir d\u00fczeni oldu\u011funu vurgular. Ve bize da\u011f\u0131n\u0131kl\u0131k ile yarat\u0131c\u0131l\u0131k aras\u0131nda beklenmedik bir ba\u011f oldu\u011funu g\u00f6sterir. Ufak tefek plan de\u011fi\u015fikliklerinin, tan\u0131mad\u0131\u011f\u0131m\u0131z insanlar\u0131n ve \u00f6ng\u00f6remedi\u011fimiz olaylar\u0131n bizde endi\u015fe ve \u00f6fke uyand\u0131rarak yeni fikirler ve f\u0131rsatlar \u00fcretmemizi sa\u011flayabildi\u011fini biliyor muydunuz?<\/p>\n\n\n\n

Yetmi\u015fli y\u0131llar\u0131n ba\u015f\u0131nda, Edward N. Lorenz\u2019in bilgisayar\u0131nda hava durumuyla ilgili hesaplamalar yaparken yakla\u015f\u0131k 1\/1000 de\u011ferindeki k\u00fc\u00e7\u00fck bir de\u011fi\u015fikli\u011fin olduk\u00e7a farkl\u0131 sonu\u00e7lar yaratt\u0131\u011f\u0131n\u0131 fark etmesiyle ortaya \u00e7\u0131kan bu teori ba\u015fta matematik olmak \u00fczere bir\u00e7ok bilim dal\u0131n\u0131 etkiledi. Lorenz 1972 y\u0131l\u0131nda ara\u015ft\u0131rmas\u0131yla ilgili olduk\u00e7a dikkat \u00e7ekici bir \u00f6rnek verdi:<\/p>\n\n\n\n

Amazon ormanlar\u0131nda bir kelebe\u011fin kanat \u00e7\u0131rpmas\u0131, Amerika\u2019da f\u0131rt\u0131na \u00e7\u0131kmas\u0131na neden olabilir.<\/p>\n\n\n\n

Peki, bu ne demek oluyor? Lorenz\u2019e g\u00f6re; d\u00fcnya \u00fczerinde ki t\u00fcm canl\u0131lar birbirleriyle ilintilidir. Her \u015fey birbirine zincirleme olarak etki eder ve ya\u015fam\u0131 var eden bu d\u00f6ng\u00fcd\u00fcr. Hayat\u0131m\u0131zda \u00f6nemsiz g\u00f6r\u00fcnen her ayr\u0131nt\u0131, \u00e7ok basit d\u00fczeyde yapt\u0131\u011f\u0131m\u0131z her hareket asl\u0131nda ya bizim ya da ba\u015fkas\u0131n\u0131n hayat\u0131n\u0131n ak\u0131\u015f\u0131n\u0131 bir \u015fekilde etkiler.<\/p>\n\n\n\n

Mesela s\u00fcregelen sava\u015flar ve sava\u015flar\u0131n a\u00e7t\u0131\u011f\u0131 yeni cephelerle artan milyonlarca g\u00f6\u00e7menin yaratt\u0131\u011f\u0131 kaos. Sava\u015f ile birlikte yok olan hayatlar, umutlar, k\u00fclt\u00fcrler, \u00fclkeler.<\/p>\n\n\n\n

Mesela salg\u0131n hastal\u0131klar ve bunun neticesi olarak t\u00fcm d\u00fcnyay\u0131 etkisi alt\u0131na alan pandemi ile insan ve i\u015f g\u00fcc\u00fc kay\u0131plar\u0131n\u0131n yaratt\u0131\u011f\u0131 kaos.<\/p>\n\n\n\n

Mesela iklim krizi, ekonomi, siyaset, e\u011fitim, g\u00fcvenlik, sa\u011fl\u0131k vb. ile birlikte toplumlara yans\u0131mas\u0131\u2026 Ki, uzun s\u00fcre iklim krizine y\u00f6nelik protestolarda sanat eserlerinin kullan\u0131ld\u0131. Bunun i\u015fe yaray\u0131p yaramad\u0131\u011f\u0131n\u0131 sanat\u00e7\u0131, sanat tarih\u00e7isi, yazar ve akademisyenler tart\u0131\u015ft\u0131 ve hala tart\u0131\u015f\u0131l\u0131yor.<\/p>\n\n\n\n

Mesela son g\u00fcnlerde Jeffrey Edward Epstein davas\u0131. Dava ile birlikte hepimizi derinden etkileyen ortaya sa\u00e7\u0131lm\u0131\u015f isimler ve bilgiler. T\u00fcm d\u00fcnyan\u0131n yak\u0131ndan tan\u0131d\u0131\u011f\u0131, g\u00fcvendi\u011fi veya sempati duydu\u011fu isimlerin bu davan\u0131n i\u00e7inde olmas\u0131n\u0131n yaratt\u0131\u011f\u0131 utan\u00e7, k\u0131zg\u0131nl\u0131k, hayal k\u0131r\u0131kl\u0131\u011f\u0131 ve \u00f6fke ile toplumsal olarak ister istemez i\u00e7ine dald\u0131\u011f\u0131m\u0131z kaotik ruh hali.<\/p>\n\n\n\n

K\u00fcreselle\u015fme, kapitalizm, yeni teknolojiler\u2026 G\u00f6rd\u00fc\u011f\u00fcn\u00fcz \u00fczere bu \u00f6rnekleri \u00e7o\u011faltabiliriz. Se\u00e7 be\u011fen al. Birbirinden farkl\u0131 envai \u00e7e\u015fit durum ve yaratt\u0131\u011f\u0131 kaos. Hepimiz bir \u015fekilde bunlara maruz kal\u0131yoruz. Bunlar\u0131n sonu\u00e7lar\u0131n\u0131 inceleyebilir, konu\u015fabilir, tart\u0131\u015fabiliriz. Ama yok sayamay\u0131z. K\u00fc\u00e7\u00fck veya b\u00fcy\u00fck, ya\u015fad\u0131\u011f\u0131m\u0131z kaoslar\u0131n bug\u00fcne kadar sanat\u0131, sanat\u00e7\u0131y\u0131 nas\u0131l \u015fekillendirdi\u011fine hepimiz \u015fahit olduk, oluyoruz. \u015eimdi size bir ka\u00e7 soru:<\/p>\n\n\n\n

Sizce de d\u00fcnya, ya\u015fan\u0131lan bunca \u015feylerle birlikte asl\u0131nda s\u00fcregelen kaotik bir s\u00fcre\u00e7ten mi ge\u00e7iyor?<\/p>\n\n\n\n

Sanat, kapitalizme ve emperyalistlere teslim oldu\u011fu \u015fimdilerde; t\u0131kand\u0131 m\u0131 yoksa aksine yarat\u0131c\u0131l\u0131k anlam\u0131nda k\u0131\u015fk\u0131rt\u0131l\u0131yor mu?  Burada yarat\u0131c\u0131 kaostan s\u00f6z edebilir miyiz?<\/p>\n\n\n\n

Bana kal\u0131rsa kaos ortamlar\u0131n\u0131n yerel ve evrensel k\u00fclt\u00fcrlerde yarat\u0131c\u0131l\u0131\u011f\u0131m\u0131z \u00fczerindeki etkileri yads\u0131namaz. Sanat\u00e7\u0131n\u0131n yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131n geli\u015fimindeki en \u00f6nemli etken \u00e7evresidir. Yarat\u0131c\u0131l\u0131k do\u011fu\u015ftan gelir ve \u00e7evreden etkilendi\u011fi oranda geli\u015fir.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

D\u00fcnyada uzun zamand\u0131r h\u00e2kim olan d\u00fczenin sanat ve sanat\u00e7\u0131y\u0131 s\u0131k\u0131\u015ft\u0131rd\u0131\u011f\u0131 yer belli. \u00d6ng\u00f6r\u00fclemez, ele ge\u00e7irilemez ve bilinmez olandan yana se\u00e7imini yapan sanat\u00e7\u0131lar kaotik ortamlarda daha cesaretli ve cesur olmalar\u0131 gerekti\u011fi ger\u00e7e\u011fiyle \u00e7oktan y\u00fczle\u015fmi\u015f ve bununla ya\u015famas\u0131n\u0131 \u00f6\u011frenmi\u015ftir. Farkl\u0131 yollardan ge\u00e7erek ayn\u0131 ger\u00e7eklere, hisler \u00fczerinden ula\u015fman\u0131n g\u00fcc\u00fcne sahip sanatta gidilecek yol bellidir. Ve eminim hepimiz kendi yarat\u0131c\u0131 kaosumuzdan faydalan\u0131yoruzdur.<\/p>\n\n\n\n

Ortaya \u00e7\u0131kan her \u015fey bunlar\u0131n toplam\u0131n\u0131n sonucudur. Kaosunuzu sevin. Kaosu kendi avantaj\u0131n\u0131za \u00e7evirmenin yollar\u0131n\u0131 ar\u015f\u0131nlay\u0131n.<\/p>\n\n\n\n

Yaz\u0131m\u0131n ba\u015flar\u0131nda Friedrich Nietzsche den al\u0131nt\u0131 yapm\u0131\u015ft\u0131m. Kapan\u0131\u015f\u0131 da yine kendisinden yapay\u0131m:<\/p>\n\n\n\n

“Size s\u00f6yl\u00fcyorum: dans eden bir y\u0131ld\u0131z do\u011furabilmek i\u00e7in insan\u0131n i\u00e7inde h\u00e2l\u00e2 kaos olmas\u0131 gerekir. Size s\u00f6yl\u00fcyorum: i\u00e7inizde hala kaos var.”<\/p>\n\n\n\n

– Friedrich Nietzsche (B\u00f6yle Buyurdu Zerd\u00fc\u015ft\u00fc)<\/p>\n\n\n\n

Kendimizden dans eden y\u0131ld\u0131zlar yaratma niyetimiz varsa e\u011fer, \u00fcstat t\u00fcyoyu vermi\u015f.<\/p>\n\n\n\n

Ruhunda kaos olmal\u0131d\u0131r ki, parlayan bir y\u0131ld\u0131z yaratabilesin.<\/p>\n\n\n\n

Kaosu kucaklasak m\u0131, kucaklamasak m\u0131? Karar\u0131 size b\u0131rak\u0131yorum.<\/p>\n\n\n\n

Sizin kaosu y\u00f6netme \u015fekliniz ne? Kaotik durumlarla nas\u0131l ba\u015fa \u00e7\u0131k\u0131yorsunuz? Yorumlar\u0131n\u0131z\u0131 bekliyorum\u2026<\/p>\n\n\n\n

Kamil \u00c7ak\u0131r<\/p>\n\n\n\n

\u0130nstagram: kamilcakirstudio<\/p>\n","protected":false},"excerpt":{"rendered":"

Hey, herkese merhaba\u2026 Ge\u00e7en seneden beri g\u00f6r\u00fc\u015femedik J Herkes nas\u0131l acaba? Adettendir; yeni y\u0131lda t\u00fcm insanl\u0131\u011fa; \u00f6nce sa\u011fl\u0131k, sonra mutluluk, beraberinde huzur ve daimi bar\u0131\u015f diliyorum. Yeni y\u0131la ad\u0131m att\u0131\u011f\u0131m\u0131z \u015fu g\u00fcnlerde bu defa size; sanat, sanat\u00e7\u0131, yenid\u00fcnya d\u00fczeni ve kaostan bahsedece\u011fim. Bunu yaparken de konular\u0131n \u00fczerinden k\u00fc\u00e7\u00fck n\u00fcanslarla ge\u00e7ip, \u00e7ok kafa \u00fct\u00fclemeden yaz\u0131mdan zevk […]<\/p>\n","protected":false},"author":4,"featured_media":3319,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[68],"tags":[21,99,101,123,75,98],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"tr","enabled_languages":["en","tr"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"tr":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/posts\/3317"}],"collection":[{"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/comments?post=3317"}],"version-history":[{"count":2,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/posts\/3317\/revisions"}],"predecessor-version":[{"id":3324,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/posts\/3317\/revisions\/3324"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/media\/3319"}],"wp:attachment":[{"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/media?parent=3317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/categories?post=3317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arttmodernmiami.com\/tr\/wp-json\/wp\/v2\/tags?post=3317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}